terça-feira, 12 de maio de 2009

MARIANNE....










The more passive and undemonstrative he was, the more she wanted to do violence to him. She dreamed of forcing his will, but how could one force a man’s will? Since she could not tempt him by her presence, how could she make him desire her?

She wished that he would fall asleep and she could have a chance to caress him, and that he would take her while he was half-conscious, half-asleep. Or she wished that he would enter the studio while she was dressing and that the sight of her body would arouse him.

Once when she expected him, she tried leaving the door ajar while she was dressing, but he looked away and took up a book.

He was impossible to arouse except by gazing on him. And Marianne was by now in a frenzy of desire for him. The drawing was coming to an end. She knew every part of his body, the color of his skin, so golden and light, every shape of his muscles and, above all, the constantly erect sex, smooth, polished, firm, tempting.

She would approach him to arrange a piece of white cardboard near him that would cast a whiter reflection or more shadows on his body. Then finally she lost control of herself and fell on her knees before the erect sex. She did not touch it, but merely looked and murmured, “How beautiful it is!”

At this he was visibly affected. His whole sex became more rigid with pleasure. She kneeled very near it—it was almost within reach of her mouth—but again only said “How beautiful it is!”

Since he did not move, she came closer, her lips parted slightly, and delicately, very delicately, she touched the tip of his sex with her tongue. He did not move away. He was still watching her face and the way her tongue flicked out caressingly to touch the tip of his sex.
She licked it gently, with the delicacy of a cat, then she inserted a small portion of it in her mouth and closed her lips around it. It was quivering.

She restrained herself from doing more, for fear of encountering resistance. And when she stopped, he did not encourage her to continue. He seemed content. Marianne felt that that was all she should ask of him. She sprang to her feet and returned to her work. Inwardly she was in a turmoil. Violent images passed before her eyes. She was remembering penny movies she had seen once in Paris, of figures rolling on the grass, hands fumbling, white pants being opened by eager hands, caresses, caresses, and pleasure making the bodies curl and undulate, pleasure running over their skins like water, causing them to undulate as the wave of pleasure caught their bellies or hips, or as it ran up their spine or down their legs.

But she controlled herself with the intuitive knowledge a woman has about the tastes of the man she desires. He remained entranced, his sex erect, his body at times shivering slightly, as if pleasure coursed through it at the memory of her mouth parting to touch the smooth penis.

The day after this episode Marianne repeated her worshipful pose, her ecstasy at the beauty of his sex. Again she kneeled and prayed to this strange phallus which demanded only admiration. Again she licked it so neatly and vibrantly, sending shivers of pleasure up from the sex into his body, again she kissed it, enclosing it in her lips like some marvelous fruit, and again he trembled. Then, to her amazement, a tiny drop of a milky-white, salty substance dissolved in her mouth, the precursor of desire, and she increased her pressure and the movements of her tongue.

When she saw that he was dissolved with pleasure, she stopped, divining that perhaps if she deprived him now he might make a gesture towards fulfillment. At first he made no motion. His sex was quivering, and he was tormented with desire, then suddenly she was amazed to see his hand moving towards his sex as if he were going to satisfy himself.

Marianne grew desperate. She pushed his hand away, took his sex into her mouth again, and with her two hands she encircled his sexual parts, caressed him and absorbed him until he came.
He leaned over with gratitude, tenderness, and murmured, “You are the first woman, the first woman, the first woman …”

Marianne - From 'Delta of Venus' by Anais Nin

8 comentários:

Paula disse...

e depois de um texto destes, esquece-se tudo...
e pensa-se em tudo...

Gata2000 disse...

Ora cá está uma profissão a não seguir, pintora de gajos nús...se um marido já me dá conta da cabeça, um filho dá -me conta do juizo, imagina se ainda ponho mais homens na minha vida, credo! Xô, xô
:)

sessaoexperimental disse...

Anais Nin?...excelente pah ;)

cantinhodacasa disse...

No comment.
I really had no words...Just thoughts.
Thanks.
Kiss

jardinsdeLaura disse...

Paulo Lontro,

I once read it and i found it very good, but i also knew someone that i believe it's even better: Henry Miller! Did you heard about him, i mean his books?
What i liked the most was the photos that you choose to illustrate the text! Beautifull!

cantinhodacasa disse...

Jardins de Laura também tem razão.
Eu não postei ainda algumas passagens de " A casa dus Budas ditosos", porque a lignuagem está demais, porque receio os comentários.
As fotos são fantásticas Paulo.
Gosto imenso de "nus".
Admiro o corpo de um homem e de uma mulher.
São plenos e únicos.
Beijinho

leitanita disse...

Há escritores que me deixam de "rastos" com a beleza com que escrevem... e livros que marcam para a vida! Anais Nin, fabulous!

Anónimo disse...

This sounds good!!Absolutly perfect...Pleasures...

Angie